AR1100 Lecture 4

Vocabulary:

 

-Shape-

 

A shape is a visually perceived area created by either an enclosing line or value changes defining the outer edge.

Paul Resika. July. 2001. Oil on canvas.

One form of Abstraction in image-making involves reducing the details of an image, simplifying it to its basic shapes.

 

Unknown Inuit artist. Mask of Tunghak, Keeper of the Game. 19th Century. Painted wood.

Many of the shapes in this mask seem to suggest geometric forms.

 

All form, however complex, is essentially based on (and can be reduced to) a few geometric shapes.

Fernand Léger. Three Women (Le Grand Dejeuner). 1921.

 

 

 

Biomorphic Shapes

Arshile Gorky. Garden in Sochi. 1943. Oil on canvas.

Simple shapes suggest plants, or even human anatomy, without explicity resembling anything nameable. They allude to natural forms.

 

 

Rectilinear Shapes

Rocio Romero. Prefabricated Home. 2003.

 

 

 

Yeardley Leonard. Sita. 2001. Acrylic on linen.

 

 

 

Pablo Picasso. Daniel-Henry Kahnweiler. 1910. Oil on canvas.

 

 

Curvilinear Shapes

 

 

Will Bradley. Poster for The Chap-Book. 1895. Lithograph.

 

 

Vladimir Milunic & Frank Gehry. Nationale-Nederlanden Building (Prague). 1996.

 

 

 

Positive and Negative Shapes

  • In each of these patterns, the black shape is identical. But there is a very different visual effect caused by the placement within the frame.

  • The black shape organizes the empty space into various shapes.

 

 

 

Utamaro. Ten Looks of Women's Physiognomy. Print.

Unusual compostion of the figure creates two interesting negative shapes.

Important to remember that both figure and ground are equally important in final visual effect.

 

 

Aaron Siskind. Chicago 30. 1949. Photograph.

 

 

Michael Graves. Addition to the Benacerraf House. 1969.

Architecture is, in essence, the enclosure of negative spaces.

 

 











 

Positive/Negative Shape Ambiguity

 

Franz Kline. White Forms. 1955. Oil on canvas.

Initially we perceive this image as black shapes on a background, until we read the title and our focus shifts.

 

 

Hans Hillmann. Poster for The Bartered Bride. 1972.

 

 

 

Chermayeff & Geismar, Inc. Multicanal Logo.

 

 

 

MC Escher's Use of Positive and Negative Shapes

MC Escher. Bookplate. 1940. Wood Engraving.

 

 

MC Escher. Horses and Birds/Fish and Frogs. 1949. Wood engraving.

 

 

MC Escher. Plane Filling 1. 1951. Mezzotint.

 








 

 

Shape Simplification Assignment

 
 
Partially adapted from Design Basics. Lauer and Pentak, 2005.